Art has always embraced uncertainty. But art has been observers passively
observing that which the artist has made. The new art will embrace the
uncertainty, the form, the motion, the chaos and unpredictability that is the
sentient admirer. No longer a passive receiver, now to become an integral part
of the same to such an extent, that the framework without the observer, could
not stand on its own as art. Those observing must now be part of that which
they have loved. Their physical forms, quirky behaviors, reactions, responses,
habits, fears, loves, imperfections, spirits, expressions (to name some), all
adding to the beauty and essence, the ability of the piece to move and inspire.
They shall become the art, perhaps unwittingly, perhaps knowingly. This
idea is rooted within the most basic known structures of the universe. To make
such art will require many in the arts, sciences, and humanities communities to
rise to a seemingly insurmountable challenge, and that is precisely why they
should, and what will make it art.
Like sand on the beach that is at once the biggest blessing and the
greatest irritation for the sunbathers who lay there, art must be at once
free and under great burdens. It must strive, and move forward, against
the resistance of difficulty and hopelessness. Exuding hope and light.
This is why, in a larger sense we all must strive to BE art. It is no longer
enough to admire art, or support it, we must become works of art. In the
tedious details of our daily lives, and the intense moments carried out in the
times of great blessings and strife.
